‘The Authentic Terrorist?: Mobilising the Past, Battling for the Future’

The Markers of Authenticity seminar series continues its 2017 program Tuesday 5th September at 4.00 pm, with a seminar on ‘The Authentic Terrorist?: Mobilising the Past, Battling for the Future’, presented by Dr Julian Droogan of the Department of Security Studies and Criminology at Macquarie University . The seminar will be held in the Australian Hearing Hub, Level 5, Seminar Room 212, from 4-6 pm, with light refreshments to follow the paper and discussion. All welcome!

 

‘The Authentic Terrorist?: Mobilising the Past, Battling for the Future’

Presenter: Dr Julian Droogan (Department of Security Studies and Criminology, Macquarie University)

One of the most revealing perspectives from which academics can meaningfully approach the phenomenon of ‘terrorism’ is to look at it as a communication strategy. Terrorists threaten, attack, destroy and kill in order to communicate a message and elicit a response. Concepts of authenticity and the ownership of the past and of ‘tradition’ are often central to these narratives of destruction and revolution. This presentation will look at two of the ways in which terrorists engage in a dialogue with the past in order to make claims about the present and communicate their aspirations for an idealised future. First, religious narratives are mobilised by some terrorist groups in a way that attempts to create a perceived connection with authenticity and authority. Second, the material realities of the places and structures that terrorists attack often embody narratives of historical and cultural importance. These symbolic targets, once attacked, often become places that embody competing narratives for terrorists, victims, nations and other groups, and can play a role in promoting resilience and reconciliation after the violence has ended.

Conference: ‘Imagining the real: Alternative (arte)facts from antiquity to the present day’, 13–14/10 2017, Macquarie University

‘Imagining the real: Alternative (arte)facts from antiquity to the present day’

October 13–14, 2017, Macquarie University Museum of Ancient Cultures

A Symposium sponsored by the Australian Research Council, the MQ Ancient Cultures Research Centre, the Australian Centre for Ancient Numismatic Studies, and the Macquarie University Faculty of Arts ‘Modes of Communication’ Research Theme.

Authenticity gives our experience of the world salience and purchase. The idea of a single real past, anchored in material culture and transmitted by cultural practices, remains cherished in popular culture even as it is steadily eroded by academic discourse. The notion of a stable distinction between true and false continues to the widely held, even as everything from fake news to forged objects dissipates this certainty.

All pasts are imagined, competing constructs of what should, or could, have been. Present relevance is, after all, the final arbiter of the shape of memory. The authenticity of an object, text, or idea, is constructed by the viewer, and does not inhere within it. As the security of an authentic material past is disrupted by forgery, so too do fake objects bring forth fresh imaginings of past and contemporary experiences, lives, and cultures. Forgeries may be in this way carriers of a more authentic representation of the significance of the past than real artefacts, dependent as they are on affinities with contemporary discourse. Authentication techniques, from ancient processes of legitimisation to modern scientific techniques, and from humanities to scientific approaches, rest on expertises and authorities that are routinely contested.

Papers at this symposium will examine contested objects from a range of genres and periods; traditional and emerging techniques used to authenticate them; and the discourses of authenticity and modes of knowledge that both enable their creation, and frame competing understandings of them.

Speakers include: John Melville Jones (University of Western Australia); Årstein Justnes (University of Agder); Margie Borscke (Macquarie University); Malcolm Choat (Macquarie University); Maree Clegg (University of Auckland); Heather Greybehl (Monash University); Ken Sheedy (Macquarie University); Clementine Vanderkwast (Macquarie University); Rachel Yuen-Collingridge (Macquarie University).

Attendance will be free, but rsvps are necessary for catering purposes. A registration site wil be activated soon, but to signal interest now, or for other inquiries, please contact malcolm@forgingantiquity.com

Ethical Partnerships in the Modern University

Growing attention to the questionable acquisitions practices of the Hobby Lobby and the Green family for the creation of the Museum of the Bible highlights both the scale of the problem and the degree to which current polices fail to prevent such activities. In spite of advice from Patty Gerstenblith, an expert on cultural property law, in 2010 the Hobby Lobby purchased over five thousand ancient Iraqi artefacts of suspect provenance and shipped them under false or misleading labels to obscure their country of origin and content. Questions about the Hobby Lobby and the Green Scholars Initiative have been raised by papyrologists for some time now (see the work of Roberta Mazza among others), following the announcement of the publication of a new Sappho fragment in 2014. Whilst dubious private collections are by no means a novel feature of the academic landscape, questions about the ethics of engaging with such collections are becoming more prominent. The role of academics and institutions in the implicit laundering of artefacts through authentification and publication is increasingly coming under greater scrutiny. Such a rapidly shifting ethical landscape runs the risk of stranding people on the wrong side of the divide, especially those whose disadvantaged position in the academy (the great itinerant insecure workforce shimmering under the sandstone establishment) incentivises publication and funding at any risk.

In Australia with increased cuts to the government funding of higher education, many universities are encouraging researchers to seek a greater proportion of their funding from private donors, industry and philanthropic organisations. The proven ability of researchers (and / or departments) to attract external funding has become the central performance indicator for jobs, promotions and further funding support. But what does this do to the ethical landscape of our universities?

The influence of industry over the shape and endurance of research programs in the sciences has been obvious enough. Less attention however has been devoted to the impact of private money on humanities research. Politically motivated research is not new, but its current manifestation in the research landscape may be less obvious than classic examples of imperially sponsored history. Private funding without oversight can influence everything from the areas studied, the research funded, the courses offered and the questions asked. The destruction of mummy masks by scholars and students within the orbit of the Green’s enterprise in order to recover the improbable Christian papyri they sought  (as Mazza and others have noted, no Christian papyri have been found in such a context) represents one case in which ideology determined which aspect of the past was worthy of survival.

Now, any archaeological or interpretative consideration of antiquity involves a choice of focus. The latter engagement is less likely to involve a choice with catastrophic consequences for any focus which isn’t selected. Archaeology too, when done responsibly, *should* aim to preserve as much as possible and ground any unavoidable destruction in exhaustive and rigorous reasoning. *Should*.  The destruction of the Coptic monastic remains in 1902 at the site of Deir el-Bahri by Naville on behalf of the Egypt Exploration Fund in order to recover Hatshepsut’s temple (as a major tourist attraction) is a key example of what can happen.

The manipulation of the past is much more apparent when it comes in material form. However, we should be just as concerned, if not more so, with the largely invisible manipulations caused by the subordination of institutions to private interests. For researchers this means asking difficult questions about where the available funding we are applying for comes from and whether it comes with strings attached. It involves asking whether we are endorsing particular organisations and activities by accepting such funding. It pushes us to think about how complicit we are in legitimising particular groups. It means, above all, thinking about the best way to create transparent relationships with external partners which protect our research integrity.

This means thinking a little bit more about what research and teaching integrity looks like for a particular department and a particular researcher. What does it mean to develop a teaching and research program organically and in response to the needs of the field and to the needs of the broader community (rather than the needs of the budget and cashed-up specialist interest groups within that community)?

Increasingly universities are being asked to demonstrate their relevance and significance to the broader community and universities are using their record of external funding to answer that question. However, private and industry funders do not a broad Australian public make.

Private funding should not and will never be eliminated from universities. The peculiarity of popular politics in the last few decades would seem to point to the value of having sources of funding available outside those determined by the government of the day. Many donors, industry partners, and philanthropic organisations engage with universities for the best possible reasons and in pursuit of exactly the sorts of goals researchers would applaud. Things go wrong, however, when the purpose and value of the university as an independent institution gets forgotten or co-opted in the politics of laundering someone else’s agenda. Academics have a responsibility in all this; in formulating, understanding, and protecting what is unique about the institution in its most ideal form.

Rachel

Markers of Authenticity – Semester 2 Schedule 2017

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August 14, 2:00–4:00 pm, AHH 5.212:Faking the News’ with Dr Colin Klein (Philosophy) and Dr Margie Borschke (MMCCS)

September 5, 4:00–6:00 pm, AHH 5.212: ‘The Authentic Terrorist?: Mobilising the Past, Battling for the Future’ with Dr Julian Droogan (SSC)

October 13–14, X5B 321: ‘IMAGINING THE REAL: ALTERNATIVE (ARTE)FACTS FROM ANTIQUITY TO THE PRESENT DAY’, a two day symposium with keynote lecture by Prof. John Melville Jones

October 26, 4:00–6:00 pm, AHH 5.212: ‘Creative Authenticity: Originality and the Real’ with Dr. Mio Bryce (INTS) and Dr Ilona Hongisto (MMCCS)

November 2, 6:00–9:00 pm, TBA‘Authenticity of Experience: History and Gaming’ with Dr Rowan Tulloch (MMCCS), Daniel Keogh (Educational Games Designer, 3P Learning), and Abbie Hartman (MHPIR)

November 9, 4:00–6:00 pm, AHH Lvl 5, Board Room: ‘Authenticity of Desire’ with Dr Thomas Baudinette (INTS), Dr Karin Sellberg (Institute for Advanced Studies in the Humanities, UQ) and Dr Chelsea Barnett (Modern History)

Fake Out: Misinformation and Belief

Our first seminar for the second semester of Markers of Authenticity will take place this Monday, the 14th of August, from 2–4pm in our new premises in the Australian Hearing Hub, Level 5, Seminar Room 212. 

This week Dr Colin Klein (Philosophy) and Dr Margie Borschke (MMCCS) will be talking to us about the phenomenon of Fake News. 

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Is fake news real? Is it a meaningful category? What does it mean to ‘fake’ the news? Is it a problem of consumption or production? Now that ‘fake news’ is ‘old news’, what can we learn from this transformation of our media discourse about the tangling of reason and belief in our everyday experience of the world? This workshop examines these issues from media and cognitive perspectives, revisiting questions about authenticity, truth, rhetoric, belief and objectivity in academia and the world.